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Reading 1 Dick Higgins, Statement on Intermedia Peter Frank, The Arts in Fusion: Yesterday and Today(handout) Vannevar Bush, As We may Think Alan Touring, Computing Machinery and Intelligence Reading 2 Richard A Bolt, "Put that There": Voice and Gesture at the Graphics Interface Karl E. Steiner and Jay Tomkins (2004) Narrative Event Adaptation in Virtual Environments, Proceedings of the 9th international conference on Intelligent user interface, ACM Press, pp. 46-53 Andre Silva, Guilherme Raimundo, and Ana Paiva1 (2003), Tell Me That Bit Again... Bringing Interactivity to a Virtual Storyteller In Virtual Storytelling: Using Virtual Reality Technologies for Storytelling. Springer, pp. 146-154 Reading 3 Alfredo F. Pereira, Linda B. Smith, Chen Yu, Social coordination in toddler's word learning: interacting systems of perception and action, Connection Science, 20(2):73-89 Linda B. Smith and Cynthia Breazeal (2007), The Dynamic Lift of Developmental Process Developmental Science, 10(1):61-68 Reading 4 Ken Feingold, The Interactive Art Gambit (do not run! we are your friends) Ken Feingold, The Subject of Artificial Intelligence, commissioned by The Royal University College of Fine Arts (KKH), Stockholm. Sweden for the seminar "Art and Artificial Intelligence", October 2002 Reading 5 Working with a robot: Exploration relationship potential in human-robot systems, D. Bernstein, K. Crowley, I. Nourbakhsh. Interaction Studies Special Issue on Psychological Benchmarks of Human-Robot Interaction. pp. 465-482. Vol 8, Issue 3, 2007. The Neighborhood Networks Projects: A Case Study of Critical Engagement and Creative Expression Through Participatory Design, C. DiSalvo, I. Nourbakhsh, D. Holstius, A. Akin, M. Louw. Proceedings of the 2008 Participatory Design Conference, Bloomington, Indiana. 2008 Reading 6 A Recent Interview with Dharma Mittra - Russian Yoga Magazine, November 2003 Copyright notice: Many of the materials created for this course are the intellectual property of Adam Brown. This includes, but is not limited to, the syllabus, lectures and course notes. Except to the extent not protected by copyright law, any use, distribution or sale of such materials requires the permission of the instructor.
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